
Corwin Hiebert brings photography business master class to New Zealand
View fullsize Making the trip from Canada to Queenstown, Corwin Hiebert will be hosting two presentations and a master class
View fullsize Making the trip from Canada to Queenstown, Corwin Hiebert will be hosting two presentations and a master class
We got our hands on the Tokina AT-X 11–20mm f/2.8 Pro DX lens and handed it over to Rebecca Frogley to experiment with.
With smartphone cameras producing an ever-increasing level of high-quality images, the eight annual iPhone Photography Awards (IPPA) saw an astounding calibre of imagery entered into its competition
I tried to make this image of my daughter have a sort of Victorian feel to it. Shot using window
Just purchased myself a new Canon 700D entry kit over summer, so gave myself a series of exercises in my
Laurence Aberhart, Dunrobin — Edievale, Otago, June 25, 2012, 2012, platinum (courtesy of the artist) For longer than 30 years,
We talked to Laurence Aberhart about the process behind his work and what initiated this three-decade project of ANZAC: Photographs by Laurence Aberhart .
Utilizing her skills as a professional retoucher, Stephanie O’Connor has produced a series of portraits that defy the glossy magazine conventions of beauty, enhanced by the very post-production tools decried by critics of the beauty industry. She talks to D-Photo about walking that fine iconoclastic line.
We’ve had the Tamron SP 15–30mm f/2.8 Di VC USD lens in the D-Photo office this month and we’ve been experimenting with what it can do
“From the country that brought us the Big Mac comes another convenience — not quite as tasty, but definitely a product that the team at D-Photo agree you should sink your teeth into”
In the latest issue of The Photographer’s Mail we talked to Mara Sommer, the photographer who shoots for D&M Hair, about the
Richard Wong sizes up Nikon’s latest DSLR response to mirrorless popularity
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